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In 1971 Linda Nochlin published her quickly canonical “Why Have There Been No Great Women Artists?” ( ARTnews  69, no. 9). She offered a powerful narrative, claiming that Western institutional structures and a lack of access to vital educational opportunities had historically prevented women from becoming “great” artists—indeed from even having the potential to achieve greatness. I suggest new visual and textual lenses through which we can update Nochlin’s narrative and reconsider women artists on their own societies’ terms, arguing that by returning to the archive, we can identify greatness and professionalism where they have eluded us before.

Why Do We Think There Have Been No Great Women Artists? Revisiting Linda Nochlin and the Archive