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Home, crisis and migration have defined the experience and concept of being post-colonial Zimbabwe(an) for the past two decades. Much has been written about the post-coloniality of this entangled experience and about how, in particular, literary fiction re-discourses normative perspectives of the Zimbabwean crisis, the home, the unhomely and trans-national out-migration. Rarely considered a serious discursive site from which to (re)know the intricacies inhabiting versions, configurations and symbolisms of the concept of home (especially in the context of crisis and mobility), the Zimbabwean short story has largely remained underexplored. This article recentres the short story of migration (Farai Mpofu’s ‘The Letter’ and NoViolet Mkha’s ‘Shamisos’) in examining how, as socio-cultural and geo-political constructs, diaspora and ‘home’ homes manifest and orchestrate temporalities, processes, relations, attitudes, places, people, and discourses that shape a certain understanding of Zimbabwe as a contested post-colonial ‘home’. On the one hand, the protagonists in the stories live precariously in ‘refuge’ new homes (Botswana and South Africa respectively), and on the other, they attempt to make sense of their precarity through traumatic re-memories of their haunting ‘home’ home (Zimbabwe). We interpret this connection between these unstable ‘homes’ using a conceptual frame that we term ‘ambivalent continuum of precarity’, a concept we coined from the notions of ‘precarity of place’ and ‘continuum of precarity’ advanced by Susan Banki and Julia Ann McWilliams and Sally Wesley Bonet respectively. Our analysis of literary representations of the home(s) therefore focuses on their complex, multiple and shifting layers, signs, symbolisms and ontologies as constructs that reflect on the crisis of post-coloniality manifest in precarious mobilities and ambivalent homes.

‘Such a Thing Does Not Have a Name in his Country’: Entanglements of Diaspora and ‘Home’ Homes in the Zimbabwean Short Story of Crisis