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This paper discusses several conventional perspective operators at the lexical, grammatical, and narrative levels. When combined with each other and with particular contexts, these operators can amount to unexpected viewpoints arrangements. Traditional conceptualisations in terms of viewpoint embedding and the regular shifting from one viewpoint to the other are argued to be insufficient for describing these arrangements in all their nuances and details. We present an analysis of three cases in which viewpoints of speaker, addressee, and third parties are mutually coordinated: (i) global and local perspective structure in Nabokov’s novel Lolita, (ii) postposed reporting constructions in Dutch, and (iii) the Russian apprehensive construction, which has a seemingly redundant negation marker in the subordinate clause. For each of these three cases, we discuss how traditional conceptualisations fall short. We discuss an alternative model of viewpoint construction which allows for the conceptual juxtaposition and mixing of different and simultaneously activated viewpoints.

Recursive embedding of viewpoints, irregularity, and the role for a flexible framework