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The body research comprised of more than two-thousand titles on post-Paleolithic cave art in Spain spanning the one-hundred and three years (1907-2010) is examined in terms of author productivity, collaboration patterns, foreign authorship, and the structural dynamics of scientific collaboration. The study concludes that research in the field of post-Paleolithic cave painting continuous to rely on individual authors and authors not associated with any institutional organ

Analysis of the authorship of the scientific output on Levantine and Schematic post-Paleolithic rock painting in Spain (1907-2010)