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The paper explores the portrayal of social relations among youth in the popular Norwegian TV-series  Skam  and places this analysis in relation to Anne Imhof’s award-winning performance piece  Faust , which received the Golden Lion at the 2017 Venice Biennale for the German Pavilion. As expressions of how today’s youth experience social relations under the conditions of late capitalism, I examine the way in which the TV-series and the performance work respectively explore when and how ‘we’ is shaped. I argue that they provide particular insight into the limits and possibilities for the formation of relations of solidarity today.

Fragile Visions of the Social: Rethinking Solidarity with the Performance Piece Faust and the TV-series Skam