English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

When perception is made the subject of philosophy, it is primarily understood as pre-theoretical sensual knowledge, and the question of its truth content becomes the focus of attention. In contrast, approaches that fall within the philosophy of embodiment quite rightly point out that perception is bodily anchored and closely linked to interests in action. The primacy of knowledge is therefore substituted by a primacy of praxis. This article aims to point out the blind spots that such a hegemony of the practical entails. In a phenomenological way, it is to be shown that beside the aspect of instrumentality, perceptive situations are also experienced as pleasant or unpleasant as such. This points to the importance of the pathical character of perception. However, it is not a call to enthrone the primacy of affect instead of the primacy of practice. The paper concludes with a thought on the philosophy of pedagogy and education. Proceeding from that perceptive position, it is argued that film in particular offers a chance to apply the phenomenology of pathical perception to the field of intersubjectivity.

The hegemony of the practical in embodied cognitive science and the question of bodily vulnerability