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This study argues that the breadth and depth of influence of Fernando de Rojas’s  Celestina  on Federico García Lorca’s  La casa de Bernarda Alba  is much greater than previously acknowledged. García Lorca borrowed from Rojas not only motifs, images, and characterization, but also symbols, structure, and the effusive rhetoric that characterizes Celestina and Melibea’s mode of expression. Lorca’s  La casa  contains a microcosm of the social institutions and cultural dynamics that predominate in  Celestina ’s world and, by extension, in Rojas’s society. In this comparative analysis, I hope to show the far-reaching influence that  Celestina  has had since its publication in 1499 up to the twentieth century. By reading Lorca’s play from this perspective, I also uncover new levels of meaning that help us interpret  La casa  based on the systems of intertextual relations that underprop  La casa ’s foundations.

Celestina’s Influence on La casa de Bernarda Alba