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The British writer John Wyndham (1903–1969) explored societal effects of surprising or mystical events. A paradigmatic example is  The Midwich Cuckoos  (1957), which portrays identical-looking children born without sexual intercourse. I propose a reading strategy that focuses on the fictional spatial order and analyses how the construction of the children’s otherness interferes with the village’s demarcation. Furthermore, I interpret the mysterious pregnancies as a reference to basic embryo research in the 1950s – cloning. Finally, I scrutinize Wyndham’s negotiation of utilitarianism throughout the novel and his critique of truly utilitarian decisions that are based on constructions of Otherness.

Otherness, Cloning, and Morality in John Wyndham’s The Midwich Cuckoos (1957)