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As a unique global historical event, a fundamental transfer from a Muslim ‘minority’ community to a Hindu ‘majority’ community took place in the modern north Indian ‘Hindustani’ music scene in terms of the number of musicians, the type of patronage (from courts to middle classes and the modern public sphere), music practice and audiences. This process of ‘Hinduization’ was largely the result of the music reforms initiated by elitist Hindus, who aimed to make Indian music modern, national and scientific, as well as spiritual. Successively, their efforts led to the stigmatization and subsequent marginalization of Muslim musicians. By taking music as a lens, the chapter sheds light upon the relationship between ‘religion’, nation and state in the context of processes of modernization and the global circulation of ideas.

Hindu Nationalism and North Indian Music in the Global Age