Open AccessThe Diasporic Narrative: Identity Crisis in Ghasan Kanafani’s Men in the Sun
Author(s) -
Raed Ali Alsaoud Alqasass
Publication year - 2021
Publication title -
international journal of comparative literature and translation studies
Language(s) - English
Resource type - Journals
ISSN - 2202-9451
DOI - 10.7575/aiac.ijclts.v.9n.2p.1
Subject(s) - narrative , novella , homeland , literature , history , identity (music) , psyche , identity crisis , plot (graphics) , aesthetics , philosophy , psychoanalysis , art , politics , political science , law , psychology , epistemology , personality , statistics , mathematics
This study examines Ghasan Kanafani’s Men in the Sun as a representative novella of the Palestinian identity crisis among the Palestinian refugees in the aftermath of the Nakba in 1948. Kanafani’s emplotment of this identity crisis is couched in a diasporic narrative that lays bare a double plot, one before 1948 and another following it. The narrative split reveals a sharp contrast between the present state of the characters on their journey to Kuwait, the promised land, and the past as revealed in their reminiscences of homeland. The paradisaic images of homeland are woven with images of Hellish existence under the scorching sun of the desert. This double narrative is indicative of the split psyche of the characters which is symptomatic of an identity crisis. Their pursuit of a way out of this conflicting state ends with a collective, tragic disillusionment; they end up dead and thrown on a garbage heap without even a proper burial place. Kanafani weaves the different mini narrative threads into one tragic denouement since his novella is not about the fate of individual characters but that of a nation. The silence of the characters prior to their death is a Kanafanian prophecy of the future of the Palestinian Cause after it has lost its power of speech and ended, like the characters, dead on the garbage heap of history.