Open AccessEditing in the symphonies of S. Slonimsky
Author(s) -
Денисова Зарина Мухриддиновна
Publication year - 2020
Publication title -
kulʹtura i iskusstvo
Language(s) - English
Resource type - Journals
ISSN - 2454-0625
DOI - 10.7256/2454-0625.2020.4.32341
Subject(s) - symphony , musical , phenomenon , interpretation (philosophy) , realization (probability) , subject (documents) , modernity , historicism , literature , context (archaeology) , art , aesthetics , epistemology , philosophy , computer science , linguistics , history , statistics , mathematics , archaeology , library science
The object of this research is editing as an artistic phenomenon in the Russian musical culture of the late XX century. The subject of this research is works of the prominent Russian composer Sergei Mikhailovich Slonimsky. Analysis of musical texts of the composer demonstrated that editing manifests as the paramount method of creating an artistic space of his oeuvres. The main principle for this this research served the principle of historicism as one of the fundamental within national musicology, where an artistic phenomenon is viewed in unity of realization of the traditions and trends of modernity. The author comes to the conclusion that in the works of S. Slonimsky editing first and foremost is a unique principle of realization of the artistic plot, providing exclusive freedom to the composer, exposing all achievements of musical art, allowing to actively work with different cultural codes and freely transform them and reproduce most bold and artistically significant philosophical ideas. The scientific novelty consists in determination of specificity of functionality of the system of expressive means of S. Slonimsky in the context of editing. In the course of research, the author also formulated a number of questions requiring further scientific analysis and new research interpretation.