Open AccessTHE TOPIC OF FAMINE IN THE STORY “АДӘМНӘР” (“PEOPLE”) BY G. IBRAGIMOV: CRITICAL AND LITERATURE STUDY INTROSPECTION
Author(s) -
М. А. Akhmetova
Publication year - 2020
Publication title -
vestnik udmurtskogo universiteta. istoriâ i filologiâ
Language(s) - English
Resource type - Journals
eISSN - 2413-2454
pISSN - 2412-9534
DOI - 10.35634/2412-9534-2020-30-5-909-917
Subject(s) - introspection , naturalism , realism , ideology , literature , humanity , literary criticism , history , relevance (law) , criticism , object (grammar) , aesthetics , epistemology , philosophy , art , politics , linguistics , law , political science , theology
The story of Galimjan Ibragimov “People” in different eras was evaluated by literary scholars from various points of view. From the middle of 1920s-1930s - vulgar-sociological treatments formed a basis to exclude the story from the Tatar literature history for many years. After the long-term period of concealment, in 1950s-1970s excessively naturalistic descriptions, not very sustained ideological and art orientation of the story, existence of passive humanity in it and misunderstanding of the principles of socialist realism became an object of criticism. Different views and estimates appear during the perestroika years, uncensored chaos in literature, art when all “forbidden” works began to be published, naturally causing a wide response of experts. Modern studies convince that the story of G. Ibragimov has not lost its relevance to this day, both from the standpoint of historical and literary, and from a purely aesthetic one. The comparative analysis of literary works of different eras about hunger made it possible to feel the influence of time on aesthetic interpretations: from vulgar sociologism, through the Procrustean bed of socialist realism and naturalism to the objective characteristics of pieces of art in the works of scholars of the late XX - early XXI centuries.