Open AccessThe principle of synergy in the creativity of the sixties as an innovation of Ukrainian Culture
Author(s) -
Mуroslava Shevchenko
Publication year - 2021
Publication title -
vìsnik deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv/vìsnik nacìonalʹnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv
Language(s) - English
Resource type - Journals
eISSN - 2409-0506
pISSN - 2226-3209
DOI - 10.32461/2226-3209.1.2021.229549
Subject(s) - ukrainian , novelty , creativity , context (archaeology) , ideology , the arts , aesthetics , phenomenon , sociology , period (music) , movie theater , visual arts , history , political science , art , epistemology , psychology , law , linguistics , social psychology , philosophy , archaeology , politics
The purpose of the article is to study the principles of synergy in the work of the sixties as a novelty of Ukrainian art, analysis of common intentions, and creative achievements in the creation of new dogmas of Ukrainian culture. The research methodology is based on the analytical method, which consists of the study of historical, art, and cultural sources. Cultural-historical - to consider the general state of Ukrainian fine arts, cinema, theater, the literary direction of the period, art history - provides an analysis of the phenomenon in an artistic context. The scientific novelty lies in the identification of common features in the work of cultural figures of the 1960s, their comparison, and analysis of the synergy of their activities. Conclusion. The principles of the synergy of artists of the late 1950 - 1960s are revealed, their ideological and artistic factors in the creation of Ukrainian art are highlighted.