z-logo
open-access-imgOpen Access
Blood & Couture: Dracula by Eiko Ishioka (石岡 瑛子)
Author(s) -
Roberto C. RODRIGUES,
AUTHOR_ID
Publication year - 2022
Publication title -
bulletin of the "transilvania" university of braşov. series iv, philology and cultural studies
Language(s) - English
Resource type - Journals
eISSN - 2066-7698
pISSN - 2066-768X
DOI - 10.31926/but.pcs.2021.63.14.3.9
Subject(s) - dracula , art , ode , literature
In this paper, through a bibliographical research and debate, we intent a filmic and artistic analysis of the feature film ‘Bram Stoker’s Dracula’ (Francis Ford Coppola, 1992), specifically its costume design, signed by the Japanese designer and art director Eiko Ishioka 石岡 瑛子 (1938 – 2012). The film’s critical reception as well as its consequent elevation to a ‘canon’ status among the adaptations of the homonymous novel by Bram Stoker were taken into consideration. This paper proposes a new approach of Ishioka's costume design legacy, that flirts significantly with the Parisian ‘haute couture’ for its uniqueness. Our intention is to develop an in-depth study on the elements that make the costumes of this movie so singular, such as its intentional lack of historical accuracy and the ode to an overly exaggerated symbolism and decay.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here