
The final of G. Bizet’s opera “Carmen”: composer’s direction as the basis of the performer’s interpretation model
Author(s) -
Yuliia Vasylivna Voskoboinikova
Publication year - 2022
Publication title -
kulʹtura ukraïni
Language(s) - English
Resource type - Journals
eISSN - 2522-1140
pISSN - 2410-5325
DOI - 10.31516/2410-5325.076.10
Subject(s) - opera , musical , interpretation (philosophy) , performing arts , choir , art , musical form , visual arts , linguistics , psychology , philosophy