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Musical Thinking and Composing Technique in Terms of Computer Technology Development
Author(s) -
Кун Цзівей
Publication year - 2021
Publication title -
kulʹtura ukraïni
Language(s) - English
Resource type - Journals
eISSN - 2522-1140
pISSN - 2410-5325
DOI - 10.31516/2410-5325.071.10
Subject(s) - musical , dialectic , musical composition , musicology , composition (language) , relation (database) , computer music , field (mathematics) , computer science , appeal , cognitive science , epistemology , aesthetics , visual arts , literature , psychology , art , philosophy , mathematics , database , political science , pure mathematics , law
Determining the place of music computer technology in modern history requires a thorough consideration of musical processes and factors of the first half of the XX century, as well as the study of relevant discoveries, concepts and experiments in terms of new music technologies. The purpose of the article is to identify the patterns of development of musical art in relation to modern social life, appeal and thorough study of music of different styles and eras in their systemacity. The methodological basis of the study are dialectical and systemic methodologies used in the field of cultural studies. General scientific and logical methods of analysis, synthesis, induction and deduction, historical and comparative research of the problem are used. The historical evolution of musical instruments is deeply connected with the creative processes that take place in the fields of composition, acting skills, musicology and education. This led to the search and improvement of musical language, enrichment of compositional methods, techniques and means of texture of musical works and, as a consequence, the birth of electronic instruments.

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