Open Access“AT THE BEGINNING AND AT THE END OF TIMES” BY PAVLO ARIE: INTERMEDIATIVE ASPECT OF COMPREHENSION
Author(s) -
Larysa M. Gorbolis
Publication year - 2019
Publication title -
lìteraturnij proces: metodologìâ, ìmena, tendencìï
Language(s) - English
Resource type - Journals
eISSN - 2412-2475
pISSN - 2311-2433
DOI - 10.28925/2412-2475.2019.1317
Subject(s) - drama , originality , ideology , feeling , hero , comprehension , sociology , literature , aesthetics , visual arts , psychology , linguistics , art , creativity , social psychology , politics , philosophy , law , political science
The article, based on the play «At the Beginning and At the End of Times» by the contemporaryUkrainian playwright Pavlo Arie and the performance of Lviv Lesia Ukrainka Academic Drama Theatку,directed by Oleksiy Kravchuk, ascertains the expedience to use an intermedial approach to find outthe features of architectonics, genre originality, the role of the title, dedication, remarks, chronotopein the literary and stage modelling of the heroes, reflection of the general concept of works, visualizationof the ideological and thematic direction. It studied the significance of remarks, details, scenery, musicand video for disclosing the conflict of work, reflecting the character and the mental state of heroes.Vertical-horizontal coordinates of the material and spiritual life of the characters are described andanalysed. The semantic content of the work, the author’s and director’s accents are oriented notonly to the person, but also to the culture that is perished. The play heroes are in difficult situationsof choice, searching for themselves, rethinking values. Working on the images and problems, P. Arie,O. Kravchuk skilfully conveyed the volatility of mood, a complex body of hero experiences, appealingto the audience’s feelings. With the help of music, details, colours, sounds, emotions, facial expressions,movements the director, artist and actors emphasize the characters at all levels of stage realization.