Open AccessThe “Fandango” Ballet by L. Lubovitch in the Light of Mythos-Rituality: the Comprehension Experience
Author(s) -
Элеонора Васильевна Выбыванец
Publication year - 2015
Publication title -
observatoriâ kulʹtury
Language(s) - English
Resource type - Journals
eISSN - 2588-0047
pISSN - 2072-3156
DOI - 10.25281/2072-3156-2015-0-5-44-49
Subject(s) - ballet , dance , interpretation (philosophy) , musical , meaning (existential) , context (archaeology) , comprehension , ideology , aesthetics , art , embodied cognition , visual arts , linguistics , history , epistemology , philosophy , archaeology , politics , political science , law
The article analyzes the dependence of the musical composition by M. Ravel’s ideological and imaginative interpretation on the contemporary context. For the first time ever, a substantial interpretation of the “Fandango” ballet is given in two different perspectives - theatrical-scenic and ritual. The author makes an attempt to reveal the complex of semantic meanings of musical, dance-plastic and scenographic texts of the ballet. As a result of intersection of the above mentioned semantic meanings, the whole artistic meaning comes to light.