The ideology of moderated modernism in Serbian music and musicology
Author(s) -
Ivana Medić
Publication year - 2007
Publication title -
muzikologija
Language(s) - English
Resource type - Journals
eISSN - 2406-0976
pISSN - 1450-9814
DOI - 10.2298/muz0707279m
Subject(s) - serbian , modernism (music) , ideology , historiography , aesthetics , musicology , phenomenon , period (music) , realism , literature , history , epistemology , art , philosophy , political science , politics , law , linguistics
The term ′moderated modernism′ has been current for quite some time in Serbian music historiography, but there have been only a few attempts to define it. I shall try to define the term, introduce some of its key concepts and features and demonstrate its applicability. Although moderated modernism was an international phenomenon which had divergent manifestations in various periods before and after the Second World War throughout Europe, my aim is to focus on the period between the decline of Socialist Realism and the ascent of post-modernism (roughly 1950 to 1980) in socialist Serbia, and to discuss the discourses and ideologies surrounding moderated modernism then and there
Accelerating Research
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom
Address
John Eccles HouseRobert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom