
MELAMPAUI REZIM OPTIC: PANDANGAN YANG MENUBUH DAN EROTISME ALICE EVE DALAM “STARTER FOR 10”
Author(s) -
Ghanesya Hari Murti
Publication year - 2016
Publication title -
lakon
Language(s) - English
Resource type - Journals
eISSN - 2527-4899
pISSN - 2252-8954
DOI - 10.20473/lakon.v5i1.2777
Subject(s) - eroticism , object (grammar) , haptic technology , gaze , pleasure , subject (documents) , relation (database) , psychology , computer science , art , computer vision , artificial intelligence , sociology , human sexuality , world wide web , gender studies , database , neuroscience
Cinematic capability in the movie "Starter For 10" is to remind that eroticism or intimacy is able to surpass the optical regime or gaze as initiated by Mulvey‟s feminist film theory. Deleuze purposes haptic vision, which later on developed by Marks into Haptic Visuality as cinematic ability to dismantle subject-object relation within Mulvey‟s idea that assumed women body only as pleasure.Eroticism offered in the film is able to perform haptic visuality where the audience has a sense of being touched when the eye is no longer able to accommodate the information and the optical has loss its control. Haptic vision allows both to be object because the sensations move to the other senses. Thus, Alice Eve is not only an object but also invites the audience to be the object as well when the other senses are active. Eroticism presented in the film is no longer busy looking for subject and object but more into a unity where deterministic category is no longer exist.