Confronting the socio-psychological environment: Feminist/political art protest in contemporary Russia from Pussy Riot to ‘Spiritual Combat’ exhibition
Author(s) -
Alek D. Epstein
Publication year - 2016
Publication title -
environment and social psychology
Language(s) - English
Resource type - Journals
eISSN - 2424-8975
pISSN - 2424-7979
DOI - 10.18063/esp.2016.01.001
Subject(s) - politics , punk , exhibition , argument (complex analysis) , sociology , feminism , gender studies , state (computer science) , media studies , political science , aesthetics , art , law , visual arts , art history , biochemistry , chemistry , algorithm , computer science
Issues related to psychological and environmental conditions are crucial for the analysis of contemporary activist art’s political impact. Russia is a patriarchal society, and the Orthodox Church is particularly powerful because of its close relations with the state. The paper provides detailed examples of the repression and censorship of feminism and political art. Due to the fact that there were — and still are — very few radical feminist political leaders, relatively young members of a punk rock protest art group Pussy Riot, established in 2011, and some of their supporters within the artistic field (such as Evgenia Maltceva, whose case is discussed in detail in this paper) have become the most thought-provoking (and undoubtedly, the most famous, especially in the West) feminist leaders in Russia. However, the socio-psychological environment is not supportive, mainly for historical and psychological reasons: my argument is that they are charismatic but disconnected leaders without followers, and therefore their impact on trends within Russian politics and society is quite limited.
Accelerating Research
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom
Address
John Eccles HouseRobert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom