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The documentary script as an oxymoron?
Author(s) -
Brian Winston
Publication year - 2015
Publication title -
journal of screenwriting
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.19
H-Index - 5
eISSN - 1759-7145
pISSN - 1759-7137
DOI - 10.1386/josc.6.3.287_1
Subject(s) - filmmaking , screenwriting , oxymoron , media studies , documentary film , passion , sociology , art , visual arts , art history , movie theater , psychology , philosophy , linguistics , psychotherapist
Throughout the 1970s, American filmmaker and documentarian Frederick\udWiseman (Titicut Follies (1967), Belfast, Maine (1999), National Gallery (2014)\udand more) had a unique carte-blanche: multi-year contracts from the New\udYork flagship public television station, WNET, to make movies more or less at\udhis own pace with budgets of a largesse denied all his peers. He owed this to\udthe patronage of the highly cultured progamme chief at the station, the writer\udand ex-Harper’s editor, Robert Kotlovitz

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