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The worth of art education: Students’ justifications of a contestable educational choice
Author(s) -
Henrik Fürst,
Erik Nylander
Publication year - 2020
Publication title -
acta sociologica
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.782
H-Index - 52
eISSN - 1502-3869
pISSN - 0001-6993
DOI - 10.1177/0001699320934170
Subject(s) - creativity , visual arts education , sociology , autonomy , value (mathematics) , aesthetics , the arts , realm , compulsory education , employability , higher education , pedagogy , psychology , social psychology , law , political science , art , machine learning , computer science
How is art education valued in society? In Swedish public discourse the value of educational trajectories is often equated with their usefulness for employability. With competitive winner-takes-all labour markets for artists, art education is largely perceived as a worthless credential and form of education. But what kinds of worth does art education have among students themselves? This article draws on the approach of pragmatic sociology and individual and group interviews with 62 Swedish folk high school participants within the arts, to understand the meanings participants assign to post-compulsory education within the aesthetic realm. The students’ accounts belong to three broad themes, where art education is described as: (a) being a ‘stepping stone’ to becoming an artist, (b) allowing them to have ‘unique’ experiences while being in a particular state of creativity or (c) offering them a chance to regain health and general well-being after a difficult period. These results are discussed in relation to the relative institutional autonomy the folk high school possesses in the Swedish education system, as well as the possibilities of challenging the hegemonic ideas of ‘learning for earning’ that largely reject non-instrumental regimes of self-discovery and artistic creativity.

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