Art and Crime (and Other Things Besides … ): Conceptualising Graffiti in the City

In this paper, we critically review the literature on graffiti and street art with a view to bridging the divide between the stark extremities of public graffiti discourse. We make the case for moving beyond singular responses to the challenges posed by graffiti – into the complex terrain between visions of a city free from graffiti and one where public art has free rein. To this end, we have chosen a series of interrogations of common dialectical positions in talk of graffiti: is it art or crime; is it public or private expression; is it necessarily ephemeral, or does it seek permanence; is it a purely cultural practice, or is it economic? Our list is by no means exhaustive, but it does go some way to uncovering the complexity of graffiti’s dynamic and contested geographies.