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Whose wonderful news? Italian satire and William Baldwin's Wonderfull Newes of the Death of Paule the III
Author(s) -
OVERELL ANNE,
Lucas SCOTT C.
Publication year - 2012
Publication title -
renaissance studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.117
H-Index - 16
eISSN - 1477-4658
pISSN - 0269-1213
DOI - 10.1111/j.1477-4658.2010.00703.x
Subject(s) - confessional , period (music) , classics , publishing , literature , history , the renaissance , performance art , art , humanities , art history , politics , law , political science , aesthetics
About the year 1552, the celebrated mid‐Tudor author William Baldwin released Wonderfull Newes of the Death of Paul the III , his translation of a satirical and scandalous account of Pope Paul III's supposed arrival in hell. For over a century, influential Anglophone scholars and bibliographers have ascribed the original of Baldwin's work, the anonymous Epistola de morte Pauli tertii (1549), to the Lutheran reformer, Matthias Flacius, who was based in Germany. This article challenges that attribution, showing that there is no evidence for Flacius’ authorship. Instead, it locates the Epistola in a community of Italian religious exiles publishing in Basel and identifies the fiercely anti‐papal polemicist Pier Paolo Vergerio as the most likely author. In reopening the authorship question, the essay examines the motives behind the creation of this work and shows how Renaissance anti‐papalism traversed confessional and geographical boundaries. The conclusion traces the intricate international network through which this topical Italian satire probably reached William Baldwin, whose translation became one of the most daring texts of the earlier Tudor period.