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Relocating Fra Bartolomeo at San Marco
Author(s) -
Cornelison Sally J.
Publication year - 2009
Publication title -
renaissance studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.117
H-Index - 16
eISSN - 1477-4658
pISSN - 0269-1213
DOI - 10.1111/j.1477-4658.2009.00563.x
Subject(s) - choir , chapel , painting , art , performance art , art history , order (exchange) , visual arts , finance , economics
In 1974 Janet Cox‐Rearick identified a panel at San Francesco in Fiesole as a relatively faithful copy of Fra Bartolomeo's lost St Sebastian with an Angel , a painting that, according to Vasari, was so beautiful it stimulated sinful thoughts in the women who looked upon it. Cox‐Rearick further proposed that the lost painting was a pendant to the same artist's monumental St Mark the Evangelist and that the two works originally decorated altars located to either side of the entrance into the choir of the Dominican Observant church of San Marco in Florence. The present study shows that when the paintings were made in the early sixteenth century the tomb, and later the first relic chapel, of St Antoninus ( d. 1459) rather than one of Fra Bartolomeo's saints was situated on the left side of San Marco's choir screen. A reconsideration of the primary sources related to the paintings’ early history and location reveals instead that they were installed within the choir, where they took their place in a long‐standing Dominican tradition of depicting exemplary saints over or near the portals of the Order's churches and convents.