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The Lumpen and the Popular: Guillermo Cabrera Infante and Julio García Espinosa
Author(s) -
RODRÍGUEZFALCÓN OLGA
Publication year - 2009
Publication title -
bulletin of latin american research
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.24
H-Index - 33
eISSN - 1470-9856
pISSN - 0261-3050
DOI - 10.1111/j.1470-9856.2009.00317.x
Subject(s) - nightlife , garcia , popular culture , relation (database) , humanities , art , sociology , art history , history , media studies , archaeology , database , computer science
This article deals with the post‐1959 re‐definitions of the concept of ‘popular culture’ and its relation to the cultural legacy of Havana's nightlife during the 1950s. After the 1959 Revolution, many Euro‐Cuban cultural producers saw and represented the cultural expressions of the Afro‐Cuban poor in the capital as being central to Cuban ‘popular culture’. This article focuses mainly on two Euro‐Cuban authors, writer Guillermo Cabrera Infante and filmmaker Julio García Espinosa, whose works during the first years of the 1960s were highly influenced by Havana's nightlife culture. What both authors shared was a view of the nocturnal in Havana as the heterotopical space and time—following Foucault's concept of ‘heterotopia’ (1998: 175‐185)—where the divisions between high and low art in Cuba could be transcended through the encounters of the different cultural traditions then cohabiting in the city.