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‘Transcending Quotation’: Cross‐Cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester
Author(s) -
Heile Björn
Publication year - 2004
Publication title -
music analysis
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.25
H-Index - 18
eISSN - 1468-2249
pISSN - 0262-5245
DOI - 10.1111/j.0262-5245.2004.00195.x
Subject(s) - musical , representation (politics) , citation , art , art history , humanities , computer science , literature , library science , law , political science , politics
Although this article is about a work that is also covered in my monograph, the focus here is on theoretical and methodological issues, namely the analysis and criticism of cross-cultural musical representation. In response to the relevant literature, notably the work of Georgina Born, I have developed an analytical approach to and a typology of cross-cultural musical representation based on the thought of Mikhail Bakhtin and Edward Said.