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This research aims to display to what extent the usage of the passive voice structure which we come accross frequently in recent in Turkish prose literature. In this research, the number of the sentences in the first fifty pages of different genres such as novels, stories or essays were examined and the rates of passive voice structure usage in these sentences were calculated. Additionally, the first ten pages of the dissertations were examined while the essays and columns in journals were examined totally within the scope of passive voice usage. The differences and the similarities in the usage of passive voice structure in the works written in different genres, in different times, about different subjects and by the writers who has different worldviews, are compared. The variables mentioned in previous sentence were also examined whether they have any effect on the usage of the passive voice. As a result of the survey, less usage of the passive voice was detected in the writings which centered around events and actions than in the thought-based writings. It was also observed and obtained from the data gathered from the examined works that there is not an obvious difference between the amount of the usage of passive voice of the writers who have different philosophy, lifestyle or world view. Consequently, it is concluded that the usage of passive voice is an individual choice. It is known that Turkish society value the person and is famous for its being active, however the scociety is possibly in danger of losing its characteristics by widening the usage of the passive sentence structures since the event is more important rather than the person in passive voice. Therefore it should be said that the usage of passive voice is not appropriate for the active structure of Turkish society. Moreover, this passieveness faciliates the work of provocators in motivating the society to the negative movements. Oz Bu arastirma son zamanlarda sik sik karsilastigimiz edilgen catili cumle kullaniminin nesirde ne boyutta oldugunu tespit etmeyi amaclamaktadir. Arastirmada roman, hikâye, deneme gibi farkli turlerde yazilmis eserlerin ilk elli sayfasindaki cumle sayilari incelenerek bu cumlelerdeki edilgen cati kullanim oranlari hesaplanmistir. Incelenen tezlerin ilk on sayfasinda edilgen cati kullanim oranlarina, makale ve kose yazilarinin ise tamamindaki cumle sayisina gore edilgen cati kullanim oranlarina bakilmistir. Farkli turlerde, farkli zamanlarda, farkli konularda ve farkli goruslere sahip yazarlar tarafindan yazilmis eserlerde edilgen catili cumle kullanim oranlarindaki benzerlikler ve farkliliklar karsilastirilmistir. Bu cesitli degiskenlerin edilgen catili cumle kullanimi uzerinde etkili olup olmadigi da tespit edilmeye calisilmistir. Elde edilen bulgular, olay cevresinde gelisen yazi turlerinde edilgen yapili cumle kullaniminin dusunce yazilarina oranla daha az kullanildigini gostermistir. Ayrica, taranan eserlerde farkli dunya gorusune sahip farkli yazarlarin edilgen catili kullanim oranlarinda bariz bir degisiklik olmadigi gorulmustur. Edilgen cumle yapisinda oznenin geri plana atilmasi nedeniyle bu tur bir kullanimin, aktif olma ve insani one cikartma ozelligiyle bilinen Turk toplumu icin uygun olmadigi ongorulmustur. Ayrica edilgen olma kulturunun yaygin oldugu bir toplumda ortaya cikabilecek toplumsal hareketlerde provokatorlerin cok daha rahat bir sekilde yonlendirme yapabilecegi tespiti yapilmistir.

Edilgen Çatılı Cümlelerin Nesirdeki Yeri / The Role of Passive Voice Structure in Turkish Prose Literature