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Oleg Aleksandrovich Okhaphin (1944-2008) is a representative of Leningrad literary underground of 1960&amp;rsquo;s-1970&amp;rsquo;s, which explains the fact why the majority of his texts was published on the pages of Samizdat. The peculiarities of the poet&amp;rsquo;s writings are insufficiently covered in the Russian literary studies, since multiple texts remain unpublished or inaccessible. This article analyzes the unpublished in official press lyrical book &amp;ldquo;The Staff&amp;rdquo;. In the course of research, the author applied the hermeneutic, comparative-historical, and intertextual approach towards examination of the literary work in question. It is underlined that holistic representation on his literary legacy is characteristic for Okhaphin, thus his book &amp;ldquo;The Staff&amp;rdquo; holds a specific place in his creative path. Lyrical book is a cyclic unity that combines texts of various genres. Each text is viewed in the context of two traditions: literary and Biblical. The book is also a crossover: the first and second parts aligns with poet&amp;rsquo;s creativity of the previous years; it is the foundation for emergence and development of the poetry of later years that is reflected in the third part. 	

Architectonics of the lyrical book of O. A. Okhapkin “The Staff”