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This collection stands out amid recent publications on western representations of Jews and Judaism in its swerve away from this scholarship’s typical focus on the history of Jews or JewishChristian relations. Instead, its editors seek to consider what references to Judaism in Christian-made works of art reveal about Christendom’s own internal struggles with self-identity, theology, practice, and aesthetics. Drawing upon papers presented at the Third Lavy Colloquium on Judaism and Christian Art, held at John Hopkins University in 2007, the volume investigates how the figuration of Jews and Judaism helped to define and justify the very forms and materials by which western Christendom defined itself.

Herbert L. Kessler and David Nirenberg, Eds. Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism