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This paper presents the artistic path taken by André Laliberté, director of the Théâtre de l’Œil, Canadá. The text highlights his development which was marked mainly by practice, observation and working together with theatrical artists such as Micheline Legendre, Jacques Chesnais, Olivier Reichenbach and Richard Lacoix. It defends puppet theater as an art of convention and of symbol; and presents considerations about peculiarities and characteristics of puppets found in various presentations of the Théâtre de l’Œil.

Uma trajetória no teatro de marionetes