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La dimension alegorica esta presente en practicamente todo el teatro de Jesus Campos, no solo en el escrito durante el tardofranquismo sino tambien en el creado en democracia. Aunque esta caracteristica lo vincula al llamado Nuevo Teatro Espanol, del que se ha dicho que emplea la alegoria como una estrategia frente a la censura y como reaccion frente al realismo de la generacion precedente, esta explicacion no es suficiente para comprender ni la presencia de las formas alegoricas en el teatro de estos anos ni en el de Campos en particular. En el caso de Campos, tras examinar la presencia de rasgos alegoricos en varias de sus obras, llegamos a la conclusion de que su empleo esta intimamente relacionado con su propia vision del mundo y con su idea de la creacion artistica. The allegorical dimension is present virtually throughout Jesus Campos’s theater, not only during the late stage of Francoism, but also in that created during the democratic era. Although this characteristic links him to what has been called New Spanish Theater, which has been said to employ allegory as a strategy to deal with censorship and as a reaction to the realism of the preceding generation, this explanation does not suffice to explain either the presence of allegorical elements in the theater of these years, nor in that of Campos in particular. In the case of Campos, after examining the presence of allegorical features in several of his works, we reach the conclusion that their use is closely related to his own vision of the world and idea of artistic creation.

La alegoría en el teatro de Jesús Campos: entre el aenigma y la posmodernidad