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RESUMEN: En este estudio se presenta y se analiza por primera vez una serie de poemas compuestos en frances por Carmelitas belgas y francesas en los siglos XVIII-XIX. Estos poemas son escritos en el estilo “teresiano”, aprovechando melodias de canciones populares, pero celebran, y en un caso imitan, a Juan de la Cruz, creando una poesia carmelitana hibrida que no se ha documento antes. Los poemas manuscritos se han descubierto en los archivos de los conventos de Bruselas y Pontoise (Francia), y representan una aportacion importante al estudio de la poesia del Carmelo descalzo y al estudio del impacto de San Juan en Francia. Un breve recuerdo de los poemas de las Carmelitas espanolas Cecilia del Nacimiento y Maria de San Alberto, quienes sacaron tanta inspiracion del poema sanjuanista Noche oscura,  sirve para establecer el contexto para la presentacion de los poemas franco-belgas, en particular un poema que es una adaptacion en frances del Cantico espiritual de San Juan. En este poema, el estilo teresiano y el lexico y las imagenes del Cantico sanjuanista se mezclan, en una combinacion poetica inedita. ABSTRACT: In this study a series of poems written in French by French and Belgian Teresian Carmelites in the 18 th and 19 th centuries is presented and analyzed for the first time. These poems are written in the “teresian” style, using melodies from popular songs, but they celebrate, and in one case imitate, John of the Cross, creating a hybrid Carmelite poetry which has not been documented before. These manuscript poems were discovered in the archives of the convents of Brussels and Pontoise (France), and represent a significant contribution to the study of poetry in Discalced Carmel, and to the impact of John of the Cross in France. The poems of the Spanish Carmelites Cecilia del Nacimiento and Maria de San Alberto, who drew so much inspiration from John’s poem Noche oscura, serves to establish a context for the presentation of the French and Belgian poems, and in particular one poem that is an adaptation in French of John’s Cantico espiritual. In this poem, the teresian style and the lexicon and images of John’s Cantico are combined, in an unprecedented poetic combination.

L’ART DE CHANTER ET RIMER: POESÍA SANJUANISTA DE ESTILO TERESIANO EN EL CARMELO FEMENINO FRANCO-BELGA