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Tomare la bubble vision («vision burbuja») –el paradigma acunado por Hito Steyerl con el que alude a la globalizacion neoliberal– como punto de partida para trazar (desde «el hoy») una incursion en la construccion estetica del ojo moderno y su pulsion escopica: paseante, viajero, burgues ocioso y, sobre todo, curioso. Un paseo por la inmersion, la curiosidad y la pulsion escopica del turismo visual decimononico dictado por el capital. Intentare mostrar como ese mundo de divertimento que florecia alrededor de los aparatos de vision suponia, ya entonces, algo mas que simples cambios tecnologicos en las formas de entretenimiento de masas. Lo entendere como una forma de adiestramiento para aprender a vivir en la logica del capital. Abstract From the bubble vision –the paradigm proposed by Hito Steyerl to make reference to  neoliberal globalization– as started point I would trace (from «today») an incursion in the aesthetic construction of the modern eye and its scopic drive: walker, traveler, idle bourgeois; and, above all, curious. A walk by the immersion, curiosity and the scopic drive of nineteenth-century visual tourism promoted by capital. I aim to show how the world of entertainment that flourished around the viewing devices meant, already then, much more than just technological changes in the forms of mass entertainment. I will suggest that it was a form of training how to live in the logic of capital.

Ojos curiosos y capital: sobre el turismo visual decimonónico = Curious Eyes and Capital: About Nineteenth-Century Visual Tourism