English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Theoretical observations as well as descriptions of applied concepts in this paper, represent one segment of a broader research by the author in the field of filmology and the creative stage process. The author is applying a comparative analysis of dramatic rules through the psychotherapeutic method of psychodrama in the case of film methodology of the director Želimir Žilnik. The aim of the paper is to consider a correlation of the psychodramatic role theory with the characteristics of specific documentary subgenre - docudrama, by identifying key elements of the stage expression realism and implied methodological tools in the creative process of the scenic and dramatic treatment of social topics. Our starting point is that the psychodramatic initiation of a spontaneous expression on stage, by recognizing the characteristics of social roles of an authentic personality - a character in real life, can create a functional methodological discourse for the interpretation of the treated content in film or theatre

The interface between film and social roles in docudrama: A case study of directing methodology of Zelimir Zilnik