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: This study analyzes the visage in fashion illustration based on the deconstructed visage of Francis Bacon'spaintings as well as analyzes fashion illustration works since 2000. The deconstructed visages in Francis Bacon's paintingsare classified as blurring, elimination, distortion and division. The expressive methods and meanings in fashion illustration(according to categorization) are as follow. Blurring shows an ambiguous visage organ by the sweeping of the brush,removal of a boundary among the visage, body and clothes, gradation of organic line like visage shapes, stretching of thea plat combined to visage and fragmentation of visage. It represents an uncertainty of the fashion theme and image inter-pretation, impossibility of figure by ambiguity, fantastic effect and the induction of the uncanny. Elimination shows thebackground color's painting of a photo-montage, overlap of a cutting of visage's part and background of a plat, eliminationof the visage and the elimination of eyes, nose or lips. It represents a weakened identity, the reinforcement of anonymity,creation of a violent image, and uncanny unfamiliarity. Distortion shows a distorted visage by free drawing, and uncon-scious drawing line, fluid digital body, combination of an unconscious curve, and an eccentric combination of the accidental.It represents the relief of specialty about realistic existence, hypothetical immateriality and fantasy. Division shows over-lapped visages with different angles, the weird combination of a plural visage and different species and a plural breakawayof direction, and the position of several organs. It represents motion by power's trace, non-territory of species, ambiguityand uncertainty and the uncanny.Key words:Francis Bacon( ), visage(), deconstruction(), Gilles Deleuze( ), fashionillustration( )

An analysis on the Deconstructed Visage in Fashion Illustration - Based on the Deconstructed Visage of Francis Bacon's Painting -