English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The participation, active or through mentions, of Gamaliel Churata during the Arequipa magazine of the avant-garde period Chirapu (1928) marks a pattern of defense of new art through arguments but also poetic creation. In this article, we will present the theses he uses to validate the phenomenon as a necessary moment, and then be able to understand the avant-garde proposal in his poems “Epopeya del qe buelbe” and “poemas del coyto”. We will present a comprehensive reading of these texts from the formal innovations offered by the avant-garde of Titikaka and from the ideological formulation implied by the ahayu-watan.

«Por la palabra se conoce la dirección del espíritu»: Gamaliel Churata y la vanguardia en Chirapu (1928)