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This article discusses the challenges that the technological and cultural mediations impose to audiovisual journalism in the coverage of the june protests of 2013, from the televisual analysis of the enunciations of the Jornal Nacional and the digital contents and formats of Mídia Ninja. It is suggest that viewers and users tend to break their TV reading contracts and get into other screens through which they concretize innovative forms of influencing recent history and wear out the traditional relationship between mass-media production and reception

Brasil entre as telas e as ruas:produção e consumo das narrativas jornalísticas audiovisuais sobre os protestos nacionais de junho de 2013