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This paper discusses an emerging concept of literary translation that aims to integrate discursive and cultural elements. After paying attention to the special creativity the translator needs to apply to his or her task, it revises the concept of translation units taking into account some approaches based not only on the word, the sentence and the text, but also on discourse and culture. Following some standard definitions of the literary text, several difficulties of literary translation are specified and analyzed in order to infer the possibility and the challenges involved in this new vision of translation.Este artículo investiga un concepto emergente de traducción literaria que trata de integrar los elementos discursivos y culturales. Tras prestar atención a la creatividad singular que el traductor ha de aplicar en su tarea, el trabajo revisa el concepto de unidad de traducción considerando algunos enfoques basados no sólo en la palabra, la oración o el texto, sino también en el discurso y la cultura. Siguiendo algunas definiciones comunes del texto literario, se especifican y se analizan diversas dificultades de la traducción literaria para inferir la posibilidad y los retos inherentes a esta nueva visión de la traducción

La (in)traducibilidad de un texto literario: nullum est iam dictum quod non dictum sit prius