English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Warwick Thornton’s outback western, Sweet Country (2017) is a powerful depiction of the racial dynamic and tensions of the 1920’s. The plot follows the story of Sam Kelly, an Indigenous man, who shoots and kills a white man Harry March in self-defence. The themes of colonialism, law and power cultivate in the experiences of the Aboriginal and white characters alike. The stories of Aboriginal people from this era are still largely untold, and even a fictional representation of this history, such as Sweet Country, helps the histories of black Australia penetrate the mainstream.

"Sweet Country"'s powerful depiction of racial dynamics and tensions of the 1920s