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The post-war Italy is very rich in its productions and artistic events. It is exactly this period that the writer Cesare Pavese, even declaring himself away from 'politics', publishes its text more 'political': Il Compagno. The 1947 novel features a protagonist pavesianos different from other characters, while maintaining some similarities, such as idleness and the area of Turin. The aim of this study is to analyze the reading Pavese that makes aspects of fascism when the regime was no longer in force. In fact, the peninsula had been held the plebiscite of 1946, which was chosen as the Republic form of government

<b>Il compagno: uma releitura pavesiana no pós-guerra do fascismo</b><br>doi:10.5007/2175-7917.2010v15n2p216