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To interpret the discourse gestural as an artistic manifestation that can generate science, it is to believe that both science and art have a close relationship with the world where it unfolds. This writing gives an account of a documentary review around the discourse gestural that sought to shape a hermeneusis based on the linkage of knowledge instituted as a musician and teacher and the scientific vision of the references studied. The implications of this relationship are the central considerations of this writing I deploy in three respects: the first contains methodological proceedings for the location and selection of documentary sources, the second describes the contributions found in each of the sources consulted and the third shows some conclusions derived from this review.

Estado del arte de los dominios de la motricidad humana. La discursividad gestual de un coro de manos blancas