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Literature and cinema are two of several artistic manifestations that accompany the social, political, cultural and aesthetic advances of a society. Based on this assumption, it is clear that, for centuries, the literary and cinematographic arts were carried out through a hierarchical and patriarchal perspective, leading to the construction of traditionally exclusionary models, such as the absence of a more active representation of the female public. With the emergence of feminist movements in the mid-twentieth century, the women began to analyze and judge the concept of "woman" identity that has always been universally disseminated in fictional canons, placing them ina marginalized and submissive position. Thus, it was necessary to reinterpret the works usually produced by men, whose vision assumed the role of justifying female subjugation. This article aims to bring analysis of some contemporary works (such as the book "The Handmaid's Tale" by Margaret atwood and the film "Mulan", released by Disney), emphasizing the new symbolic construction that allows, even if in a subtle way, the emancipation of the fragile and dependent figure of women, bringing an updated reflection on their place in the world and culture.

NOTAS SOBRE A REPRESENTATIVIDADE FEMININA: DA LITERATURA AO CINEMA CONTEMPORÂNEO