English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article demonstrates that in Demain j’aurai vingt ans (“Tomorrow I will be Twenty”) Alain Mabanckou, while talking about his childhood in Pointe Noire in Congo, also talks about justifying his adhesion to the litterature-monde movement. In the main, fictional works of Alain Mabanckou portray his vision of African literature, Verre Casse being a perfect example of this. While this earlier novel only highlights this vision, Demain j’aurai vingt ans tries to prove that this vision is the only pertinent one. In this regard, Mabanckou attempts to deconstruct the argument that the upholders of litterature-monde, to which he belongs, are westernized and too remote from African realities. The article further examines and analyses the strategies of the author based on the notions of paratopy and scenography as developed by Dominique Maingueneau in Le discours litteraire. Paratopie et scene d’enonciation (“Literary Discourse. Paratopy and enunciation scene”). Keywords : Alain Mabanckou, Dominique Maingueneau, litterature-monde, paratopy, scenography.

Concordance des temps: De la scénographie dans Demain j’aurai vingt ans d’Alain Mabanckou