English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The IInd Eucharistic Congress in Yugoslavia (Ljubljana 1935) can be observed as the culmination of endeavours to revive Eucharistic life as well as to promote the organizers (themselves). Those in charge of the musical programme availed themselves of the event with the aim of carrying into effect practical reforms in church music. In spite of their determination to eliminate secular tendencies from the music performed within and during the religious congressional festivities, the congress programme could not evade the influences of the profane music idiom to the full.

The Musical Image of the Eucharistic Congress in Ljubljana in 1935: Between Liturgical Renewal and External Effect