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The common “postmodern concern” over the profanation of the arts is taken as a starting point for analysing works by five distinctive Slovenian composers of symphonic music – by Uros Rojko, Vito Žuraj, Lojze Lebic, Nenad First and Crt Sojar Voglar. Their artistic intentions and realizations come closer to certain metaphysical, historically speaking rather romantic, ideals of autonomous music, only remotely connected to the ideas of postmodernity.

Profanation in Slovenian Contemporary Symphonic Music?