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This paper aims to track the interlinked trajectories of the production of aesthetic landscape experience and the creation of senses of belonging to Japan during the formation of the modern nation-state of Japan. Particular emphasis was placed on an examination of the monthly tourist magazine Tabi 旅 (official English title is Travel), as tourism is a visual practice that frames vision, and mobilizes and assembles people and nature. The paper elaborates on how the culture of Japaneseness was embodied in the form of national parks and the selection of the New Eight Landscapes of Japan in the late 1920s and the early 1930s, as well as in the quest for the localness witnessed in the 1970s practice of traveling to and around various Sho-Kyoto sites recognized as pretty historic towns. In particular, the article focuses on the intersection of scale, materiality, visuality, and tourism using two periods of time to illustrate how the landscape of nature shaped the racialized homogeneity of Japan. The article clarifies that the national and local geographical scales of are not opposed, but mutual and supplementary. It also addresses how landscapes of nature materiality were used to instill moral and physical discipline, and how photos as a visual assemblage played a significant role in conveying a particular preference for localities featuring nature.

The Localness, Materiality, and Visuality of Landscape in Japan