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This article examines Helen Fielding’s, Marlene Streeruwitz’s, and Karen Duve’s novels in the context of the  literarisches Fräuleinwunder , the generic conventions of chick lit, and postfeminism, relating all three to the globalization of the book publishing industry and its effects on German-language fiction. I argue that Duve’s and Streeruwitz’s texts can be understood as responses to the Anglo-American chick lit that flooded the German-language book market in the 1990s, of which Fielding’s novel is one of the best-known. Close readings situate both German-language novels firmly within the generic conventions of chick lit, and then look at the ways the texts relate to postfeminism, as well as second- and third-wave feminism. I conclude by arguing that our concept of  Frauenliteratur  should be expanded to include chick lit as well as more overtly political feminist texts

Generation Chick: Reading Bridget Jones’s Diary, Jessica, 30., and Dies ist kein Liebeslied as Postfeminist Novels