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La creation du barrage des Trois-Gorges a entraine dans le district de Yunyang (Chongqing) de profondes transformations du paysage, le deplacement d’une partie de la population et la reconstruction de villes. Le gouvernement local a elabore au fil des ans des projets museographiques visant a exposer ces processus. Cet article met en regard deux initiatives, dont l’une est en cours de realisation. Il presente la genese de ces projets et compare leur programme en considerant le role des personnalites politiques. Le sens attribue a leur architecture est analyse comme l’element revelateur de la maniere dont les autorites locales cherchent a situer le district apres les bouleversements. L’article se poursuit par l’analyse de deux nouveaux concepts developpes par les autorites locales dans le but de legitimer le deplacement force et de commemorer l’esprit patriotique des habitants. La conclusion porte sur la presence de l’ecologie regionale dans ces institutions culturelles et sur la volonte des autorites de presenter un monde local unissant le passe au present. The building of the Three Gorges Dam produced dramatic changes in the landscape of Yunyang (Chongqing) district, China, displacing part of the population and leading to the reconstruction of whole towns. Over the years, local government developed a number of museographic exhibitions devoted to these processes. This article explores two such projects, one of which is still ongoing. It explores the inception of the two projects, considers their respective programmes and looks at the role of local politicians. The attribution of meaning to their architectural structure is read as revelatory of attempts by local authorities to re-imagine their district after these profound changes. The article proceeds to analyse two new concepts developed by local authorities, intended to justify the forced displacement of the population and commemorate the inhabitants’ patriotic spirit. It concludes by examining the place of regional ecology in these cultural institutions and efforts by local authorities to present a local world in which past and present form a seamless whole.

Barrage des Trois-Gorges : exposer le monde local après l’immersion. Genèse et programme du premier musée de Yunyang